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Falstaff

OPERA

Falstaff

SCHEDULE

  • Wed, 21 April 2027, 18:00
  • Sat, 24 April 2027, 14:00
  • Tue, 27 April 2027, 14:00
  • Thu, 29 April 2027, 14:00
  • Show More

2026/2027 SEASON

Music by Giuseppe Verdi
Opera in 3 Acts
Sung in Italian with English and Japanese surtitles

OPERA PALACE

21 Apr - 29 Apr, 2027 ( 4 Performances )

Running time is approx. 2 hours and 35 mins including an interval.

Booking Opens: Sun, 31 Jan 2027, 10:00am

Guidance

This production contains ○○

DETAILS

Falstaff is a comedy written by opera great Giuseppe Verdi near the end of his life, based on Shakespeare's famous plays "The Merry Wives of Windsor" and "Henry IV". A masterpiece brimming with unrivalled fun and life philosophy, the story centres on the greedy but lovable old knight Falstaff and his interactions with a group of lively, quick-witted women and young couples. Musically, the work was very progressive at that time, with finely crafted pieces full of excitement, including the nonet in Act 1 and Fuga Finale, featuring ten soloists and a chorus. In particular, Falstaff's show-stopping fugue finale 'Tutto nel mundo è burla' is the perfect end to the evening, and has become a regular feature at gala concerts and other events.

This production by Jonathan Miller is a masterpiece of human insight, based on everyday life depicted in 17th-century Dutch paintings. The meticulous composition and tranquil colours of the stage are like something out of a Vermeer painting. This delightful comedy, full of engagement between the characters depicted, is a true paean to the human condition, to be enjoyed by those who have lived and loved.

Under the baton of master conductor Maurizio Benini, who conveys the true essence of Italian opera, this production brings together famous singers such as Roberto Frontali and Serena Farnocchia, creating the ultimate ensemble.

SYNOPSIS

The amorous old knight Sir John Falstaff, who is proud of his portly belly, believes that Alice Ford and Meg Page are attracted to him and writes love letters to both in the hope of seducing them. Alice and Meg read the letters together and are amused to find that they are identical. Together with the quick-witted Mistress Quickly, they decide to teach Falstaff a lesson. Meanwhile, Ford also learns of Falstaff's plan to seduce his wife and sets out to punish the knight. Mistress Quickly visits Falstaff and arranges the rendezvous with Alice at her house. In turn, Ford, in disguise, visits Falstaff and is shocked to learn he has already set up to meet his wife. Alice receives Falstaff but while he is wooing her, Meg interrupts and he hides in the laundry basket. Shortly after, Ford rushes in with his men to search the house for Falstaff, but instead, he finds his daughter Nannetta and Fenton kissing behind the screen. In amidst this mayhem, the laundry basket containing Falstaff is thrown into the Thames. Falstaff, unrepentant, agrees to meet Alice again, this time in Windsor Great Park at midnight. As they meet, the spirits appear - in fact Ford and the townspeople in disguise, lead by Nannetta as the Fairy Queen - and they pinch and poke the terrified Falstaff until he finally repents. In the confusion, Nannetta and Fenton are married and Ford gives them his blessing. In the final fugue, Falstaff sings "everything in the world is a jest".

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CREATIVE TEAM & CAST

CREATIVE TEAM

Conductor: Maurizio BENINI
Production: Jonathan MILLER
Set and Costume Design: Isabella BYWATER
Lighting Design: Peter PETSCHNIG

CAST

Sir John Falstaff: Roberto FRONTALI
Ford: Ricardo JOSÉ RIVERA
Fenton: MURAKAMI Kota
Dr. Cajus: MURAKAMI Toshiaki
Bardolfo: ITOGA Shuhei
Pistola: TSUMAYA Hidekazu
Mrs. Alice Ford: Serena FARNOCCHIA
Nannetta: SUNADA Airi
Mrs. Quickly: Teresa IERVOLINO
Mrs. Meg Page: KOBAYASHI Yuka

Chorus: New National Theatre Chorus
Orchestra: Tokyo Philharmonic Orchestra

  • CREATIVE TEAM
  • CAST
  • Maurizio BENINI
    Conductor
    Maurizio BENINI
    Jonathan MILLER
    Production
    Jonathan MILLER
  • Roberto FRONTALI
    Sir John Falstaff
    Roberto FRONTALI
    Ricardo JOSÉ RIVERA
    Ford
    Ricardo JOSÉ RIVERA
    MURAKAMI Kota
    Fenton
    MURAKAMI Kota
    MURAKAMI Toshiaki
    Dr. Cajus
    MURAKAMI Toshiaki
    ITOGA Shuhei
    Bardolfo
    ITOGA Shuhei
    TSUMAYA Hidekazu
    Pistola
    TSUMAYA Hidekazu
    Serena FARNOCCHIA
    Mrs. Alice Ford
    Serena FARNOCCHIA
    SUNADA Airi
    Nannetta
    SUNADA Airi
    Teresa IERVOLINO
    Mrs. Quickly
    Teresa IERVOLINO
    KOBAYASHI Yuka
    Mrs. Meg Page
    KOBAYASHI Yuka

TICKETS

  • S
    ¥28,600
  • A
    ¥24,200
  • B
    ¥17,050
  • C
    ¥10,450
  • D
    ¥7,150
  • Z
    ¥1,980
SEATING PLAN

Box Office: +81-(0)3-5352-9999

10:00 - 18:00

Booking Opens: Sun, 31 Jan 2027, 10:00am

Booking Z seats (Day tickets) 1,980 yen

  • You are able to purchase Z seat tickets online from 10:00 am. Click "BUY TICKETS" next to "Z" under each performance information.
  • There is a handling charge of ¥330 (incl. tax).
  • Only when seats allocated as Z seats are still available at 11:00 am, you are able to purchase these tickets at the Box Office of the theatre.
  • Note that all Z seats are on a first come, first served basis and will come with restricted views.

Concession Prices

Under 15s discounts and Z seats (Day Tickets) are available online. Other types of discount tickets are not available online. Please inquire at the Box Office or by telephone.

Please Note

  • Latecomers will not be admitted to the auditorium unless there is a suitable break or interval.
  • For Seat D of Opera performances, maximum of 2 tickets per person on the first day of ticket sale.
  • No admittance to pre-school children. Each child older than this age requires a ticket for entry, even when accompanied by a parent or guardian.
  • Tickets may not be changed or refunded except in the case of a cancelled performance.
  • A special discount price is available for disabled guests. Please inquire at the Box Office for details.
  • Users of wheelchairs are requested to contact the Box Office.
  • Please note that cast or programme change may be required depending on the situation.
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