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New Production
Umberto Giordano : Andrea Chénier
OPERA HOUSE
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STAFF |
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Music by |
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Umberto Giordano |
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Original by |
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Jules Barbier / Paul Dimoff |
Libretto by |
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Luigi Illica |
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Conductor |
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Miguel Gomez-Martinez |
Production, Scenery Design and Lighting |
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Philippe Arlaud |
Costume Design |
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Andrea Uhmann |
Choreographer |
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Ueda Haruka |
Stage Manager |
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Saito Miho |
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Chorus Master |
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Misawa Hirofumi |
Chorus |
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New National Theatre Chorus |
Orchestra |
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Tokyo Philharmonic Orchestra |
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CAST |
Andrea Chénier |
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Carl Tanner |
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Maddalena di Coigny |
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Georgina Lukács
(* Dekita Michiko on 5 Dec.) |
Carlo Gérard |
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Sergei Leiferkus * |
Roucher |
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Aoto Satoru |
Un Incredibile |
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Ono Mitsuhiko |
La Contessa di Coigny |
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Dekita Michiko
(* Takemoto Setsuko on 5 Dec.) |
Bersi |
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Sakamoto Akemi |
Madelon |
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Takemoto Setsuko |
Mathieu |
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Okubo Makoto |
Fléville |
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Ishizaki Hidekazu |
L' Abate |
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Kamoshita Minoru |
Fouquier Tinville |
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Kobayashi Yoshiki |
Dumas |
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Omori Kazuhide |
Il Maestro di Casa/Schmidt |
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Osawa Ken |
*Carlos Alvalez, who originally was to perform the
role of Carlo Gérard is unable to perform. Alternatively,
Sergei Leiferkus is going to take his place. Please refer to New
National Theatre News.
**Georgina Lukács, who is originally to perform the role
of Maddalena di Coigny, is unable to perform on Monday 5 Dec. Alternatively,
Dekita Michiko is taking her place and the role of La Contessa di
Coigny is performed by Takemoto Setsuko. Please refer to New National
Theatre News.
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PERFORMANCES |
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November/
December
2005 |
11/20 |
23 |
26 |
29 |
12/2 |
5 |
Sun |
Wed |
Sat |
Tue |
Fri |
Mon |
2:00 |
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X |
3:00 |
X |
X |
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5:00 |
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X |
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6:30 |
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X |
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7:00 |
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X |
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Doors will
open 45 minutes before the opening of the performance.
Approximate runnning time : 2hours 15 minutes.
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ADVANCE TICKETS |
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Available from Sunday 18 September, 2005 at 10:00am.
To order tickets, please call +81-3-5352-9999 (10:00am-6:00pm).
Internet ticket reservation available through the following Websites.(Japanese only)
http://pia.jp/t
http://eee.eplus.co.jp/ |
TICKET PRICES (with tax)
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SS |
S |
A |
B |
C |
D |
E |
F |
Z |
Price(yen) |
21,000 |
18,900 |
15,750 |
13,650 |
10,500 |
7,350 |
6,300 |
3,150 |
1,500 |
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*A part of "Seat F" (¥3,150) : Sold at the
NNTT Box Office and all Ticket Pia outlets on the performance date only. Up to
2 tickets per person. No phone reservations. *Seat Z(\1,500):
Sold to students only at some Ticket Pia outlets on the day before the
performance. Any tickets not sold by the performance date will be released to
the general public at the NNTT Box Office and some Ticket Pia outlets. One ticket
per person. No phone reservations. Students must bring a valid student ID. *Same
day student tickets (50% off, except Seat F & Z ): Sold at the NNTT Box
Office and some Ticket Pia outlets on the performance date. One ticket per person.
No phone reservations. Students must bring a valid student ID.
*Opera House Ticket Prices & Seating Plan
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A masterpiece created
by Philippe Arlaud, a "magician of light"
Eternal love between a poet and the daughter of a count, both of whom died on
the block during the French revolution
Full of the most beautiful arias and duets. A chance to
enjoy a fine work that is rarely performed anywhere in the world!
Andrea Chénier is one of the greatest masterpieces that won Umberto
Giordano great fame as an opera composer. This opera dramatically depicts a complicated
mixture of the noble love between Andrea Chénier, a poet, and Maddalena
di Coigny, the daughter of a count, both of whom lived during the period of the
French Revolution and were guillotined, and the conflict between the love for
Maddalena of Carlo Gérard, who worked his way up from being a count's servant
to a middle-ranking leader of the revolutionary government, and his loyalty to
the revolutionary leaders. It is full of highlights: the famous long arias, "Un
dí, all' azzurro spazio (One day, in the blue heaven)" by Chénier,
who sings the nobility of love, and "Nemico della patria (An enemy of his
country)" by Gérard, who mocks himself as he oscillates between his ideals
and desire, as well as an impressive duet by Chénier and Maddalena, who
vow eternal love before proceeding to the guillotine. Partly because of technical
difficulties required of singers, this opera is seldom performed for a masterwork.
Please do not miss this opportunity.
Competitive performances by excellent singers, a genuine
delight of opera
The director is Philippe Arlaud, who visually highlighted captivatingly fantastic
dramas in Les Contes d'Hoffmann in 2003. Leading the profound
yet colorful orchestral music will be Miguel Gomez-Martinez, who won
high praises for his solid method of creating music in Macbeth in
2004. In addition, Carl Tanner, Georgina Lukács, all reputed
for their dynamic singing and acting, will compete with one another
singing well-known arias and duets scattered throughout the work.
Synopsis
The setting is the suburbs of
Paris in 1789. At a soirée in Count Coigny's house, Maddalena, the daughter of
the count, is impressed by a poem written by the poet Chénier, which celebrates
the nobility of love and his patriotic sentiments. Meanwhile, Gérard, the count's
servant, who is in love with Maddalena, is also moved by Chénier's poem and leaves
the count's house in a fit of dissatisfaction with class society. Five years later,
Gérard is a high-ranking official with the revolutionary government. Maddalena
is now ruined while Chénier, critical of the revolutionary government, is chased
by a secret agent. Slipping through police surveillance, the two meet again and
confirm their love, but Gérard, who is looking for Maddalena, arrests Chénier,
bring him to trial. Maddalena begs Gérard for Chénier's life. Ashamed of his love
for Chénier's lover, Gérard swings over to the defense of Chénier, but despite
his efforts, the poet is sentenced to death. On behalf of a condemned female convict,
Maddalena steals into the prison where Chénier is incarcerated. They are taken
to the guillotine while vowing eternal love···
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<Conductor> |
<Production> |
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Miguel Gomez-
Martinez |
Philippe Arlaud |
<Cast> |
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Carl Tanner |
Georgina Lukács |
Sergei Leiferkus |
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