|
 |
Eugene
O‘Neill : MOURNING BECOMES ELECTRA
PLAYHOUSE
|
STAFF
|
|
Playwright
|
: Eugene O‘Neill |
Translator
|
: Numasawa Koji |
Director
|
: Kuriyama Tamiya |
Set Designer
|
: Shima Jiro |
Lighting Designer
|
: Katsushiba Jiro |
Sound Designer
|
: Yamamoto Koichi |
Costume Designer
|
: Maeda Ayako
|
Hair & Make-up
|
: Hayashi Yuko |
Assistant Director
|
: Toyoda Megumi |
Stage Manager
|
: Mikami Tsukasa |
Artistic Director
|
: Kuriyama Tamiya |
Presented by
|
: New National Theatre, Tokyo |
|
CAST
|
|
Otake Shinobu |
Sakai Masato |
Yoshida Kotaro |
Tsukayama Masane |
Mita Kazuyo |
Nishio Mari |
Nakamura Keishi |
Marubayashi Akio |
Ikeda Naoki |
|
PERFORMANCES
|
|
November
2004 |
Tue.
16 |
Wed.
17 |
Thu.
18 |
Fri.
19 |
Sat.
20 |
Sun.
21 |
Tue.
23 |
Wed.
24 |
Thu.
25 |
Fri.
26 |
Sat.
27 |
Sun.
28 |
Tue.
30 |
1:00pm |
|
|
X |
|
X |
X |
X |
X |
|
|
X |
X |
X |
6:15pm |
X |
X |
|
X |
|
|
|
|
X |
X |
|
|
|
December
2004 |
Wed.
1 |
Thu.
2 |
Fri.
3 |
Sat.
4 |
Sun.
5 |
1:00pm |
X |
|
|
X |
X |
6:15pm |
|
X |
X |
|
|
Doors will open 45 minutes
before the opening of the performance.
Approximate running time: 3 hours, 40 minutes with 2 intermissions
|
ADVANCE TICKETS
|
|
Available from 10:00a.m., Sunday, October 10, 2004
New National Theatre Tokyo Box Office: +81-3-5352-9999(10:00am-6:00pm)
Internet ticket reservation available through the following Websites.(Japanese
only)
http://t.pia.co.jp/
http://eee.eplus.co.jp/ |
TICKET PRICES (with tax)
|
S |
A |
B |
¥7,350 |
¥5,250 |
¥3,150 |
Seat Z(¥1,500) is sold only on the performance day
at the Box Office and exclusive Ticket Pia Offices.
|
“This is retribution.”
This is where murderous love and hate come to fruition.
|
Mimicking
the structure of the Aeschylus' Greek tragedy “The
Oresteia , ” this monumental work is presented in trilogy
format. As a playwright, Eugene O'Neill received national recognition
as the principal figure in bringing realism to America's theatrical
world. He was able to bring out the “image” of truth in
numerous works due to his particularly intense focus that meticulously
analyzed human existence. Continuing with the 2000 performance of
O'Neill's critically acclaimed autobiography “Long
Day's Journey into Night , ” the New National Theatre,
Tokyo presents his epic “Mourning
Becomes Electra , ” the key work behind his receipt
of the Nobel Prize. As with “Long
Day's Journey , ” this popular internationally performed
play will also be under the solid directing of Kuriyama Tamiya.
A family whose destiny will not let them escape their own blood,
is lead to self-destruction from their belief in a godless world,
even while pleading for God's deliverance from their sins. Their
journey is depicted with intensity and grandeur. The way humans
ought to be, the harsh exposure of our fragility, the revelation
of our universal desires, this play directly affects all those watching.
It is a must-see. We hope you look forward to the New National Theatre,
Tokyo's most talked about production this fall together with the
cast and staff.
Synopsis
Set
in New England at the end of the U.S. Civil War, Lavinia Mannon
longingly waits for the return from battle of her father, Ezra,
and her brother, Orin. However, she senses that her mother, Christine,
has fallen in love with Captain Adam Brant and cannot hide her
anger at this betrayal of her father. Under Lavinia's severe questioning,
their affair is finally exposed. Lavinia declares that if they
do not break up, she will bring them to ruin by telling her father.
Frightened by her daughter's threat, Christine convinces Adam
that they must plan her husband's murder. Ezra comes home at last.
Having heard rumor of Adam, Ezra hopes to change he and his wife's
previously cold relationship and start over. However, at the end
of an argument he collapses from a heart attack, giving Christine
the opportunity to use the poison she prepared to kill Ezra.
|
 |
 |
 |
 |
 |
Otake
Shinobu |
Sakai
Masato |
Yoshida
Kotaro |
Tsukayama
Masane |
Mita
Kazuyo |
|