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<STAFF> |
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Written by |
: Miyoshi Juro |
Directed by |
: Kuriyama Tamiya |
Set Designer |
: Shima Jiro |
Lighting Designer |
: Katsushiba Jiro |
Sound Designer |
: Saito Misao |
Costume Designer |
: Miyamoto Nobuko |
Dialect Coach |
: Ohara Joko |
Assistant Director |
: Toyota Megumi |
Stage Manager |
: Kato Takashi |
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Artistic Director |
: Kuriyama Tamiya |
Presented by |
: New National Theatre, Tokyo |
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<CAST> |
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Namase Katsuhisa |
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Nanase Natsumi |
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Sasaki Ai |
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Hasegawa Kiyo |
Kitamura Yukiya |
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Otaka Akira |
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Ishida Keisuke |
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Nasu Sayoko |
Yoshimura Sunao |
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Asano Masahiro |
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Hanamura Sayaka |
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Kobayashi Asako |
Nagahata Hiroshi |
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Otsu Hiroki |
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Yamanaka Mayu |
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Shimosato Shoko |
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<PERFORMANCES> |
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February 2003 |
Wed. 19 |
Thu. 20 |
Fri. 21 |
Sat. 22 |
Sun. 23 |
Mon. 24 |
Tue. 25 |
Wed. 26 |
Thu. 27 |
matinée |
|
|
|
1:00pm |
1:00pm |
No
Performance |
1:00pm |
1:00pm |
Reserved |
evening |
6:30pm |
6:30pm |
6:30pm |
6:00pm |
|
6:30pm |
6:30pm |
|
February -March 2003 |
Fri. 28 |
Sat. 1 |
Sun. 2 |
Mon. 3 |
Tue. 4 |
Wed. 5 |
Thu. 6 |
Fri. 7 |
matinée |
|
1:00pm |
1:00pm |
No
Performance |
|
1:00pm |
|
1:00pm |
evening |
6:30pm |
6:00pm |
|
6:30pm |
6:30pm |
6:30pm |
|
Doors will open 45 minutes before the start of each performance. |
<ADVANCE
TICKETS> |
|
Available from Sunday 15 December, 2002 at 10:00am.
To order tickets, please call +81-3-5352-9999 (10:00am-6:00pm).
Internet ticket reservation available through the following Websites.(Japanese
only)
http://t.pia.co.jp/
http://eee.eplus.co.jp/ |
<TICKET
PRICES> |
|
Type |
Seat A |
Seat B |
Price |
¥5,250 |
¥3,150 |
Seat Z(¥1,500) is sold only on the performance day at the Box Office and exclusive Ticket Pia Offices.
|
New National Theatre Tokyo's Series "Japanese Drama -
To the Present Day" sheds light on the theatrical heritages, which have been handed
down from modern to contemporary Japan, from the present day's perspective. The
second play in the series is Buoy, which was premiered in 1940.
Miyoshi Juro (1902-1958), the author of this play, is a playwright who lived
from prewar through postwar days and wrote a large number of plays while
struggling with the times and with his own self. He began his literary career
by writing proletarian plays, and then devoted his life to vividly portraying
the sentiments of common people living at the bottom of the social scale,
questioning as an intellectual the meaning of life in the confused and unstable
society and constantly inquiring into the existence of Japanese people to
sublimate his quest into playwriting.
The author, who successively lost emotional supports, with a departure from
the ideologies he had believed in and the death of his beloved wife, completed
the play Buoy by facing his own mind bravely. This play is highly
rated as the culmination of his prewar accomplishments. With the worsening
Japanese-Chinese war as the background, the sincere attitudes of the artist
and his wife are depicted. Fighting to protect the dignity of art and human
beings, the hero Kuga Goro is a reflection of Miyoshi himself, and many
other characters borrowed from reality, including Miyoshi's wife, Misao,
who died from tuberculosis, are arranged in the play. As art, ideologies,
life and all other supports are being taken away, Goro reaches the stage
of rebirth after overcoming spiritual conflicts. It is reported that at
the premiere, as Goro praised life and love at the top of his voice, a dead
silence momentarily fell over the audience, followed immediately by a surge
of commotion, tears and excitement.
The stage director will be Kuriyama Tamiya, the artistic director for the
Drama Division of the NNTT, who will put his long-cherished passion for
this play into this production. The play is called a "phantom masterpiece"
since it has been given few opportunities of being put on stage in the past,
but attention is focused on how the stage direction by Kuriyama, who says
with enthusiasm that he recognizes the unfailing power of drama and that
he is determined to face the work squarely, will bring out the power of
the "drama of words." Buoy will be meticulously produced by bringing
together a cast of talented actors and actresses, including Ikuse Katsuhisa,
a young actor who takes on the challenge of playing the difficult role of
Goro, which has hitherto been performed by Maruyama Sadao and other distinguished
actors. The beauty of the human mind will come home to audiences and impress
them.
Synopsis
The setting is a house on a coast in the suburb of Chiba City at the end
of summer. Kuga Goro, an artist of Western painting, believes in his own
art and is struggling with poverty while caring for his wife Mio, who is
suffering from pulmonary tuberculosis. In the midst of adversities, such
as being rejected by low-grade painters and being urged by his family members
to transfer his property to them, his wife§fs illness gradually worsens.
Several days after his close friend on his way to the battlefront called
on him, Mio§fs condition suddenly changes for the worse despite his devoted
efforts. At her bedside, Goro desperately reads songs from Manyoshu, the
earliest extant collection of Japanese poetry. |

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