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2001 / 2002 SEASON NEW NATIONAL THEATRE BALLET, TOKYO
Giselle
Ballet in 2 Acts
OPERA HOUSE |
<STAFF> |
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Artistic Director |
: Asami Maki |
Choreography |
: Jean Coralli / Jules Perrot / Marius Petipa |
Music
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: Adolphe Adam |
Revised by |
: Konstantin Sergeyev |
Supervised by |
: Natalia Dudinskaya |
Conductor |
: Aleksandr Sotnikov |
Designs |
: Viatcheslav Okunev |
Lighting |
: Gleb Filishtinsky |
Stage Manager |
: Morioka Hajime |
Scenery and Costumes executed by |
: Vozrozhdenie |
Orchestra |
: Tokyo Philharmonic Orchestra |
Presented by |
: New National Theatre, Tokyo |
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<CAST> |
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June, 2002 |
Tuesday 25 |
Wednesday 26 |
Friday 28 |
Saturday 29 |
Sunday 30 |
Giselle |
Barbora Kohoutková |
Barbora
Kohoutková |
Sakai
Hana |
Shiga
Misae |
Miyauchi Mariko |
Albert |
Denis Matvienko |
Denis
Matvienko |
Yamamoto Ryuji |
Henmi
Tomohiko |
Yamamoto
Ryuji |
Myrtha: Maeda Nina / Nishikawa Takako
Hans: Guennadi Illine / Okuda Shinya / Ichikawa Toru
Endo Mutsuko |
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Omori Yuki |
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Takahashi Ari |
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Takayama Yu |
Nakamura Mika |
Nishiyama Yuko |
Yugawa Mamiko |
Chen Xiujie |
Nagase Nobuo |
Grigorij Barinov |
Yoshimoto Yasuyuki |
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New National Theatre Ballet, Tokyo |
The role of Albert on 30th of June will be performed by Yamamoto
Ryuji due to physical condition of Kojima Naoya.
Please also refer to New National
Theatre News. |
<PERFORMANCES> |
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June, 2002 |
Tuesday 25 |
Wednesday 26 |
Friday 28 |
Saturday 29 |
Sunday 30 |
2:00pm |
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X |
3:00pm |
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X |
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6:30pm |
X |
X |
X |
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The theatre opens 60 minutes before the curtain rises. |
<ADVANCE TICKETS> |
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Available from Sunday 17 March, 2002 at 10:00 am.
To order tickets, please call +81-3-5352-9999 (10:00am-6:00pm).
Internet ticket reservation available through the following Websites.(Japanese only)
http://t.pia.co.jp/
http://eee.eplus.co.jp/ |
<TICKET PRICES> |
|
Type |
Seat S |
Seat A |
Seat B |
Seat C |
Price |
¥9,450 |
¥6,300 |
¥4,200 |
¥3,150 |
Seat Z(¥1,500) is sold only on the performance day at the Box Office and exclusive
Ticket Pia Offices.
50% discount is available for foreign tourists purchasing on the performance
day.
Please show your passports at the Box Office.
Please also refer to New National
Theatre News. |
I
Dance, Thinking of You
Inspired by the poet Heinrich Heine's story, which took its
subject from the German legend of the Wilis, Giselle was premiered
at the Paris Opera in 1841. Acclaimed as the greatest of all Romantic ballets,
it has enjoyed an enduring popularity for over a century and half and can
be found in the repertoire of virtually every classical ballet company in
the world today. The New National Theatre, Tokyo premiered the ballet in
1998 using the Sergeyev version, which has gained wide popularity in Russia.
The Russians have cherished the masterpiece and have produced many distinguished
Giselle dancers such as Dudinskaya and Ulanova. The moving ballet Giselle,
which poetically depicts the world of Romantic ballet, will be performed
at the NNTT again and for the first time in four years with a cast of talented
dancers. Act I depicts the pastoral autumn scene and the simple life of
the peasants. There is a complete change of scene in Act II, where the cruel
and fantastic world of the Wilis unfolds. The innocent and lovely heroine
Giselle, who continues to love her lover with all her heart throughout the
two contrasting acts, will deeply move many people.
The Path of Giselle and Albrecht's Love
peasant named Loys. As the curtain rises, the village is filled with crowds
as a harvest festival of grape growers is underway. Giselle is happily dancing
in a circle when suddenly tragedy befalls her. She comes to know the truth
that her lover Loys is a nobleman whose real name is Albrecht (Albert) and
moreover, he is betrothed to the daughter of a duke. She is so shocked and
stricken by grief that she is driven to madness and soon dies. Overwhelmed
by a feeling of deep regret, Albrecht visits Giselle's grave. It is midnight
and the forest is illuminated by a bluish moonlight. It is the world of
death dominated by the Wilis, vengeful spirits of brides who died before
their wedding day. Youths who stray off into this world are enticed by the
Wilis to continue dancing until they die. Giselle, who still passionately
loves Albrecht even after her death, attempts to save him from her companions,
the Wilis... |

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