Triple Bill into the future

Triple Bill into the future

2007/2008 Season Contemporary Dance
Dance Planet No.26

Triple Bill into the future

THE PIT

CAST
	Nosaka Kimio(VOICES)/Hirayama Motoko & Nakagawa Satoshi(Butterfly)/ Anjelin Preljocaj(Annonciation)

PERFORMANCES

February 2008	15	16	17
February 2008	Fri	Sat	Sun
3:00			X
6:00		X
7:00	X

Doors will open 30 minutes before the opening of the performance.

ADVANCE TICKETS
	Available from Saturday 1 December, 2007 at 10:00am. To order tickets, please call +81-3-5352-9999 (10:00am-6:00pm). Internet ticket reservation available through the following Websites.(Japanese only) http://pia.jp/t http://eplus.jp/

TICKET PRICES (with tax)

Seat	A	B	Z
Price(yen)	5,250	3,150	1,500

*Seat Z(¥1,500): Sold at the NNTT Box Office and some Ticket Pia outlets on the performance date. One ticket per person. No phone reservations.
*Same day student tickets (50% off, except Seat Z): Sold at the NNTT Box Office and some Ticket Pia outlets on the performance date. One ticket per person. No phone reservations. Students must bring a valid student ID.

Selected works by choreographers. Whose works have previously been staged at the New National Theatre, Tokyo.

VOICES

Choreography and Direction: Nosaka Kimio & Sakamoto Nobuko
Dance: Dance Works
This work is based on the motif of various voices: the voice of light, the voice of silence, and the voice of life.

Butterfly

Composition and Direction: Hirayama Motoko
Choreography and Dance: Hirayama Motoko & Nakagawa Satoshi
Music: Michael Nyman & Ochiai Toshiyuki
Costume Design: Domoto Kyoko
This male-female pair has been showered with glowing accolades since the first staging of Butterfly in September 2005, and they will perform an even more evolved dance this time.

Annonciation —Japan Premier

Choreography: Angelin Preljocaj
Dance: Oiwa Toshiko & Shirai Nagisa(Ballet Preljocaj)
Music: Stéphane Roy (Crystal Music) & Antonio Vivaldi (Magnificat)
How does the Annunciation, that key moment which underpins a whole religion, resonate in us, what does it awaken?
While so many painters over the past 2000 years have sought time and again to understand the flurry of contradictory symbols, which in effect is what the Annunciation is, it comes as something of a surprise that a theme, a subject in which so many issues about the body are so manifestly implicated should have reminded almost entirely absent from choreographic art.
And yet, what we find here, deep down, is truly fascinating. (Angelin Preljocaj)