Opera
Ballet & Dance
Drama

AIDA

Verdi:AIDA
Opera in 4 Acts (Sung in Italian with Japanese Supertitles)
OPERA HOUSE


<STAFF>

 

Libretto by

: Antonio Ghislanzoni

Music by

: Giuseppe Verdi

 

 

Artistic Director

: Igarashi Kiyoshi

Conductor

: Daniel Oren

Production, Set and Costume Design

: Franco Zeffirelli

Orchestra

: Tokyo Philharmonic Orchestra

Ballet

: Tokyo City Ballet Company

 

 

Presented by

: New National Theatre, Tokyo


<CAST>

 

September
2003

Sunday
14

Tuesday
16

Thursday
18

Saturday
20

Sunday
21

Tuesday
23

Aida

Norma Fantini

X

 

X

X

 

X

Marina Fratarcangeli

 

X

 

 

X

 

Radames

Alberto Cupido

X

 

 

X

 

X

Walter Fraccaro

 

X

X

 

X

 

Amneris

Luciana D'Intino

X

X

 

X

 

X

Fujikawa Masami

 

 

X

 

X

 

Ramfis

Carlo Colombara

X

 

X

 

X

X

Tsumaya Hidekazu

 

X

 

X

 

 

Amonasro

Horiuchi Yasuo

X

 

X

 

X

 

Makino Masato

 

X

 

X

 

X

Il Re

Kubota Masumi

X

 

 

X

 

X

Kang-Liang Peng

 

X

X

 

X

 


<PERFORMANCES>

 

September
2003

Sunday
14

Tuesday
16

Thursday
18

Saturday
20

Sunday
21

Tuesday
23

3:00pm

X

 

 

X

X

X

6:30pm

 

X

X

 

 

 

Doors will open 60 minutes before the opening of the performance.


<ADVANCE TICKETS>

 

Available from Sunday 8 June, 2003 at 10:00am.
To order tickets, please call +81-3-5352-9999 (10:00am-6:00pm).
Internet ticket reservation available through the following Websites.(Japanese only)
http://t.pia.co.jp/
http://eee.eplus.co.jp/


<TICKET PRICES>

 

Type

Seat S

Seat A

Seat B

Seat C

Seat D

Seat E

Price

¥23,100

¥18,900

¥14,700

¥11,550

¥7,350

¥4,200

Seat Z(¥1,500) is sold only on the performance day at the Box Office and exclusive Ticket Pia Offices.


AIDA  A Triumphal Return---Zeffirelli’s Spectacle Opera Coming Soon to NNTT.

 

In Aida, director Franco Zeffirelli offers impeccable visualization in his stage and costume design, right down to the actors’ accessories, through an interpretation based on historical research.  The final scene, with its sublime love duet, is immensely moving.  The staging of the splendid and dazzling Triumphal Scene in the 1998 performance of the opera, which commemorated the opening of the New National Theatre in Tokyo, kindled the newborn opera house.  As Zeffirelli himself later expressed, “This is the only production in my lifetime that has achieved such spectacular effects as this.” The legendary staging of Aida has left its mark on Japanese operatic history.  The forthcoming repeat production will be led by the powerful maestro Daniel Oren.   The title role will be sung by the formidable soprano Norma Fantini and the rising singer Marina Fratarcangeli, and a cast of other talented singers will also be assembled.  The audience will certainly be able to enjoy the charm of this opera to the fullest.

 

Synopsis

The setting is ancient Egypt.  Aida, princess of Ethiopia who was defeated in the war, is a captive and slave to the Egyptian princess Amneris, who does not know that Aida is the daughter of the Ethiopian king.  Aida and Radamès, captain of the Egyptian guard, secretly love each other, but Amneris also loves Radamès.  One day, Radamès returns from a victorious campaign bringing with him many slaves, including Aida’s father Amonasro.  The Ethiopian king Amonasro sees his daughter again and convinces her to find out from Radamès which route the Egyptian forces plan to take in the next war with Ethiopia.  At night, Aida, in a rendezvous with Radamès on the bank of the Nile, tries to persuade him to flee with her and extracts from him information about the operations of the Egyptian forces.  Stunned to know of the enemy’s plot, Radamès surrenders himself and is placed under arrest.  Amneris offers to plead for him if he marries her, but ultimately, he refuses to explain and is sentenced to death.  As the walls of his burial chamber are sealed up, Radamès discovers that Aida has concealed herself in the darkness.  The lovers die quietly but at the same time attain eternal love.

 


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